Where the Crawdads Sing - Paean to the marsh

Don't you hate it when book descriptions are imprecise or inaccurate? I have avoided reading Where the Crawdads Sing because I was told it was mainly about an abusive father. An abusive father plays a role in the book, maybe a pivotal role, but he is not the most important character, and in fact, his part on the book's stage is small.

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Rather, the book is a love song to the marsh and the Marsh Girl. Delia Owens' lyrical writing about nature reminds me of Tracy Chevalier's At the Edge of the Orchard, or Remarkable Creatures, or Barbara Kingsolver's Flight Behavior or Prodigal Summer. Interestingly, Barbara Kingsolver has a degree in biology and Delia Owens is a zoologist.

The book is about survival - Kya, aka the Marsh Girl, is abandoned by everyone. Her mother leaves, then all her siblings leave, and finally, her abusive father leaves. She lives alone in a shack at the edge of a marsh in North Carolina - alone as in there were no other humans around. With only one day of formal schooling, and no adults to guide her, she survives. When she becomes a young woman, two men come into and out of her life, and she survives their betrayal, too.

Kya's best friends are the seagulls, the great blue heron (one of my favorite birds), and Cooper's Hawk. Owens describes the great blue heron as "the color of gray mist reflecting in blue water" who walks slowly "like a predacious bridesmaid" (Owens 109). Kya is so intimately attuned to the creatures who inhabit the marsh, she takes on some of their characteristics (read the book to find out what I mean). Kya observes the birds, insects, amphibians, and sea creatures and even mimics some of their behavior. Owens' writing almost has me scratching imaginary mosquito bites and feeling the cool mud on my feet -- it's that descriptive and engaging.

Like the best writers, her analogies and descriptions are original, yet with a veracity that makes them feel obvious. She describes the nearby town as "quite literally a backwater town, bits scattered here and there among the estuaries and reeds like an egret's nest flung by the wind" (Owens 32). And her analogies, similes, and metaphors reflect the natural world of the novel, so Kya is depicted as "trying to disappear like a bark beetle blending into the furrowed trunk of an oak" (Owens 45).

When her only real friend, Tate, teaches her to read, she reads this line: "there are some who can live without wild things, and some who cannot" (Owens 125). Kya exclaims, "I wadn't aware that words could hold so much. I didn't know a sentence could be so full" (Owens 125). Indeed, I feel like Kya when I read the book - who knew sentences could be so full!

There is a plot, and it has enough twists and turns to keep the reader engaged. But the plot is not what made me love this book. The descriptions of the birds and Kya's relationship to the birds, how she crafts a life for herself, albeit lonely, and how she survives kept me riveted.

Have you read Where the Crawdads Sing? Did you love it as much as I do?!

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Owens, Delia. Where the Crawdads Sing. G.P. Putnam's Sons, 2018.